She slowly crept up those stairs, the trepidation apparent, and glimpsed inside. [June 4, 2022, Encore on June 8, 2022] Check out the entire Met Opera season! They felt detached from transitions into them, when they existed (like in Cortigiani). The answer was in this very guttural sound. Other performances are November 14, 17, 20mat, 26mat, 29, and December 3, 8, 11mat, 14, 17mat, 20, 23, and 29. Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos. The mezzo-soprano Aigul Akhmetshina is making her debut in the role of Maddalena. But she eventually found her way back with the cadenza, and the arias coda where her elegant legato line returned us to the initial bliss. Home Performances Rigoletto. The Metropolitan Opera has looked to its deep bench of replacement singers to survive the Omicron surge, including the baritone Michael Chioldi, who has jumped into the title role of Verdi's. Russian soprano Kristina Mkhitaryan makes her Met role debut as Gilda. However, things started getting a bit off during the dolce sixth leaps on a te and the ensuing sixteenth note runs; the soprano sounded stretched and there was even a moment where she went a bit flat in the runs. English conductor Karel Mark Chichon made his Met debut in 2016 conducting Madama Butterfly, returning in 2020 for performances of La Traviata. From her feverish rushing down the stairs to greet her father, you could sense a character full of energy and aspiration. His particular interests include 20th century French violin sonatas and baroque opera, and he is currently pursuing his PhD in London, UK. Sunday, March 18th, 1pm. Performances are May 28 and June 1, 4, 8, and 11. His 2014 interview with opera star Kristine Opolais was cited in a New York Times Review. John Dexter's production, now among the longest-serving in the company's repertory, remains a marvel of simple, effective storytelling. duna tal vittoria, che? 2022 | 13:00 Rigoletto, Verdi, Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Verdi doesnt waste a moment and every single note in the piece plays a crucial role in building its tension and tragedy. In Act two, he arrived on the scene like a man on a mission, his head on a swivel, his body frantic as it searched for his missing Gilda. Often times, she was very flexible and allowed the lines to bend and flow organically, but more often than not, those moments would be followed by shockingly fast tempi that threatened to derail the entire enterprise. Conductor Daniele Rustioni takes the podium to lead a cast starring Quinn Kelsey in his Met role debut as Rigoletto, Rosa Feola as Gilda, and Piotr Beczaa as the Duke of Mantua. This product includes GeoLite2 data created by MaxMind, available from, Guilty pleasures: Yoncheva stars in a new, A fine showing for the 1884 Italian version of, To add a comment, please sign in or register. Great Performances Season 16 features Metropolitan Opera stars Angel Blue, Isabel Leonard, Lise Davidsen, Ren Pape, Matthew Polenzani, Sonya Yoncheva, Elna Garana and more. She made her debut at the Salzburg Festival in 2019, where she sang the role of Federica in a concert performance ofLuisa Miller. And its definitely worth checking out. After the passion of that top note, the tenor pulled back to his most gentle piano of the passage before crescendoing once more into a final impassioned forte on the final G flat. A loud, unsubtle performance of a loud, unsubtle production the Met really deserves a new Aida. Kelsey is impressive in the title role, his hulking, muscular baritone dominating the stage. Soprano Tamara Wilson portrays the virtuous duchess Elsa, falsely . Akhmetshina, but even caressing a cross on the wall, a childish smile on his face. Wagner's soaring masterpiece makes its triumphant return to the Met stage after 17 years. Nov 17, 2022 Metropolitan Opera 2022-23 Review: Rigoletto Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos By David Salazar (Credit: Curtis Brown) In a recent interview with OperaWire, composer Lori Laitman noted that Verdi's " Rigoletto " was among her favorite operas. 2022-12-22 ANNOUNCEMENT Ekaterina Sannikova signs with TACT for General Management Quinn Kelsey (Rigoletto), Rosa Feola as Gilda), Ensemble Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena) Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena), Piotr Beczaa (Duke of Mantua), Rosa Feola (Gilda), Quinn Kelsey (Rigoletto) Quinn Kelsey (Rigoletto), Rosa Feola (Gilda) Performance reviews Rigoletto Rigoletto is in three acts to an Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. 17 des. And while Feola also delivered well on the higher lines throughout the Vendetta duet, the quartet, and trio (a tough task for all three singers as mentioned), the final duet was another moment of sublime singing from the soprano.Lass in ciel was delivered with the utmost delicacy of sound, each note angelic in its purity. Bartlett Sher previously staged Rigoletto in Berlin in June 2019 and October 2019. In the role of the Duca di Mantua was tenor Benjamin Bernheim, who was supposed to debut at the Met a few years back, but had to wait thanks to COVID-19. Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. Runtime: 210 min. Production title: Rigoletto - The Metropolitan Opera (2021-2022) Creation date: 02/06/2019 Work - Composer: Rigoletto - Giuseppe Verdi Opera house: The Metropolitan Opera. The arias tempo marking is Andante mosso agitato while the preceding tempo indication is a faster one Allegro vivo. The announcement was made via the company's social media page and no reason was given for the replacement. Later this season, he will sing Wotan in Wagner's Das Rheingold at English National Opera, King Marke in Act III of Wagner's Tristan und Isolde in concert with the Deutsches Symphonie-Orchester Berlin, and Hunding in Wagner's Die Walkre in Naples. And OperaWire came about as a desire to take in as much of it and allow the passionate fan base access to everything this wondrous art form has to offer on a daily basis. In a remarkable career spanning six decades in the theater, Giuseppe Verdi (18131901) composed 26 operas, at least half of which are at the core of todays repertoire. Giuseppe Verdi's Rigoletto December 31, 2021 January 4, 7, 11, 15e, 19, 22e, 25, & 29m, 2022 May 28e, 2022 June 1, 4e, 8, & 11e, 2022 Creative Team Production: Bartlett Sher Scenic Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Cast Conductor: Daniele Rustioni / Karen Kamensek He also holds a dual bachelors from Hofstra University in Film Production and Journalism. The baritone Quinn . In Act three, the tenor took things up a notch, delivering a spotless rendition of La Donna mobile, each note of the dotted rhythm clear and articulated with vibrant sound. But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then . The final Adagio preceding Parmi veder le lagrime featured an exquisite run up to a sparkling high B double flat and a subsequent pained diminuendo. Later in that same aria, the Cor anglais, which plays in duet with the baritone, sounded off during the entrance to Miei signori, perdono. She also came in so strongly on Io vo mia figlia that Kelseys mia figlia, the key to that parola scenica was inaudible. The Metropolitan Opera ended its mid-winter hiatus with the much anticipated premiere of Franois Girard's production of Wagner's Lohengrin on Sunday afternoon. Other aspects work better, including the dark alley scene between Rigoletto and Sparafucile, which also makes an argument for the less is more principle. There were other moments, where the textures simply didnt cohere. Met Opera | April 15, 2023. Returning from the premiere cast were Quinn Kelsey and Rosa Feola as Rigoletto and Gilda. 'Rigoletto' at The Met Opera Ken Howard While the highly anticipated revival of The Music Man idles awaiting the recovery from COVID of its stars Hugh Jackman and Sutton Foster and other. Croatian bass Ante Jerkunica makes his Met debut as Sparafucile this season. The collection of #PBSForTheArts programs is available at pbs.org/arts and the PBS Video app. SAS Performing Arts Concert Opera Presents Puccini's IL TRITTICO, Arizona Opera Announces Its 2023/24 Season Line-up, THE ARTWORK OF THE FUTURE World Premiere Opera To Run At Fresh Squeezed Opera, May 13-19. His body opened up at its most forte, as if ready to take on the world, only to shrink back into itself on his piano lines. Canadian bass-baritone John Relyea, who just ended a highly acclaimed run as Boris Ismailov in the Met's production of Shostakovich's Lady Macbeth of Mtsensk, will also be singing the role of the Grand Inquisitor in all of the Met's upcoming performances of Verdi's Don Carlo, which opens on November 3. And then, with the arrival of the woodwinds, he returned with a tender piano line, almost whispering parlato, his repetition of Quel vecchio maledivami! his softest yet. Bartlett Sher's Weimar-inspired production premiered less than a year ago, and is eminently revivable. He made his Met debut with a production of Il Barbiere di Siviglia during the 200607 season, followed by stagings of Les Contes dHoffmann, LElisir dAmore, Otello, and Romo et Juliette, as well as the company premieres of Le Comte Ory and Nico Muhlys Two Boys. The opening lines of the duet were sung with utmost delicacy, the soprano slowly building up to the high A on daglocchi il cor, the high note suddenly full of rage and anger, before the line diminuendoed to a tearful resolution. GREAT PERFORMANCES is on Facebook+ follow @GPerfPBS on Twitter. The conductor taking on this opera is very much a storyteller from those opening trombone calls to the final tutti D flat on which the opera ends. The Met Operas faithfulness to Michael Mayers increasingly unnerving Las Vegas production which, once youve experienced the saturation from the spectacle itself, comes off as rather empty in its storytelling. He punctuated the duet with an incredibly potent low F that he sustained while walking off stage all the way through the coda of the passage. His singing had rawness and pointedness, particularly as he poked fun at Ceprano and Monterone. As he crescendoed into Mora! you could feel the pain and anger wrapped into one. The broadcast is part of season 16 of GREAT PERFORMANCES AT THE MET includes 10 new operas. A new cast brings the Met's Rigolettoto life John Relyea (Sparafucile), Benjamin Bernheim (Duke of Mantua) and Aigul Akhmetshina (Maddalena) Curtis Brown | Met Opera Benjamin Bernheim (Duke of Mantua) and Rosa Feola (Gilda) Curtis Brown | Met Opera Quinn Kelsey (Rigoletto) Curtis Brown | Met Opera From the opening line of the recitativo to the end of the aria, Bernheim was all in on delivering a performance of utmost intensity. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. The most egregious circumstance however was a more subtle one. Also this season at the Met, he conducts performances of Le Nozze di Figaro in January. Rigoletto Ken Howard / Met Opera For the first time since the mid-1970s the Metropolitan Opera is performing into June after recently establishing an annual month-long hiatus during the. British costume designer Catherine Zuber has been designing for productions at the Met since her debut with Bartlett Shers staging of Il Barbiere di Siviglia in 2006. Directed for the screen by Gary Halvorson. Mia colomba, lasciarmi non dei!These were sung with the softest piano singing that Kelsey managed the entire evening, his voice but a weeping thread of sound, each time growing softer and more heart-breaking, especially as he held her in his arms. Classical Music Opera The Met: "Rigoletto" (Review) Feb. 8 and Feb. 19 at 8, Feb. 12 at 7:30, and Feb. 16 at 1: . A dream cast assembles for Strauss's grand Viennese comedy. : ','}}, Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). Rigoletto, a cursed court jester of the lustful Duke of Mantua, obsessively protects his daughter, Gilda. The 2009 recipient of the Met's Beverly Sills Artist Award, he made his company debut in 2000 as Alidoro in Rossini's La Cenerentola, followed by performances as Masetto in Mozart's Don Giovanni, Colline in Puccini's La Bohme, the Nightwatchman in Wagner's Die Meistersinger von Nrnberg, Vodnk in Dvok's Rusalka, Figaro in Mozart's Le Nozze di Figaro, Escamillo in Bizet's Carmen, and Gesler in Rossini's Guillaume Tell. Please check if you entered the email address correctly. Gothic horror, magic and romance at the 2023 Savonlinna Opera Festival, At the helm of the world's most expensive opera house: Met General Manager Peter Gelb, From our French editor: ode to the diehards, Guilty pleasures: Yoncheva and Beczaa star in a new. But Pari siamo also allows us to see the purity and hope inside of Rigolettos heart, the possibility of him separating himself from the pack of predators. . If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Rigoletto has remained a staple at the Met forever. N New Production. The aforementioned Possente creates some major visual dissonance for the audience do we focus on the tenor singing the aria? Recent highlights this season include conducting Mozart's Die Zauberflte at Lyric Opera of Chicago, the world premiere of Philip Glass's Alice in Strasbourg, Mozart's Cos fan tutte at Arizona Opera, and concerts with the Orchestre Chambre de Paris and Charlotte Symphony Orchestra. dammi coraggio was sung with a glorious piano to forte crescendo that expressed Gildas fear and pain all at once. Visit Website. Director: Leo Paur. Performance History. 24, 2022 Karen Kamensek will conduct the May and June. 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