South Wales I did not think I would enjoy this, just booked it for my girlfriend's birthday as I know she likes musicals, however, I will be honest and say I thoroughly enjoyed the whole performance. For once theatremonkey I think you are wrong. Buying through lastminute meant I couldnt choose my seats Hull, UK . Tiny (child sized it appeared), and old - they leave you aching by the end of the performance. Maximum 2 per person, first come, first served. Notable strong points of the production include consistently strong leads, an engaging plot and characters that the audience can empathise with. They were very good seats as the bar was only slightly blocking our view. ________________________, I was on holiday with my family all the way from Brisbane Australia and me and my sister went to see "Phantom of the Opera". Bromley Phantom of the Opera, 07Jul2016, Whichseats.com is not affiliated to show producers or theatre owners. and didn't push any extras or merchandise at all. Theatres use "dynamic pricing." I loved every single minute of it. Or am I missing something? I want to see it again as soon as I can get ticket. For a slightly loftier night, those first rows of the circle are grand too. I think we can all be glad he didn't wait for Mr. Schnberg's work to move out or London Theatre would look very different today. We already have this email. ____________________________, Went to see Phantom again last week (June 2007) it must be 15 years since I last saw it. My partner and I went to see this show recently (July 2005), it was my umpteenth time and his first. 11/10. Now you're talking! Placed at the end of the aisle in the centre I could see everything and even the slight overhang above did not obscure too much of THE chandelier. I do believe that he single handedly ruined the show. Will Barratt as Raoul was very good, if not particularly memorable. _______________________________________________. I would not recomend the seat for first time watching, but for a repeat visitor it's aceptable. I was a little worried when I read about the huge cast overhaul that had been made a couple of days prior but I needn't have worried - I found the show magical, I sat mesmerised throughout the whole performance and had constant shivers running up and down my spine that started the moment they raised the chandelier at the auction house to the very end, it was wonderful! Not just slightly rubbish, but really, really rubbish. You can't miss the beautiful, street-facing entrance, and although there is no designated drop off area, cars can pause to drop off passengers nearby on Grote Street. Brittany Legroom is poor but manageable (Im 61 and it was a small problem, but easy to forget about when watching the production). I would recommend row D and above. First time we were in Premium Stalls 3 rows from the front. The costumes are beautiful, the stage work is clever and creative, and the performances are bar none. The only moan I have is that sound wasn't loud, so you missed parts of the singing, and the final lair boat scene, I missed parts of that. It was great being so up close and personal to the actors and catching their eye on several occasions ;). This highly-touted and virtually iconic show is, in realitya bit clunky, dated and simply not all that great. Stalls, C12: Not a bad seat, actually. The seats were quite good, offered great value for money. The first thing to say is that our seats in the stalls, Row F were fabulous, made even better by the fact that the rows in front of us were filled by school children which helped provide a flawless view of the action. It is Lloyd Webber's triumph and looks set to remain that way for a very long time. __________________________________________. The show was appalling. Stalls seats are on the ground level of the theatre. Also if you happen to be tall or have any kind of leg issue the rows are very close together. I have to disagree with the other reviewers who have said Raoul was "awful", he's meant to be lame and drippy, that's the idea! Our budget was limited so we got Grand circle, F24 and 25. His voice is much too weak, his acting is poor and the way he reads Raoul and decides to play him is insensitive and irritating. It's not the greatest score in the world (that title belongs to 'Les Misrables'), but it is successful in so much as it does all that it is designed to do. Ed. ___________________, We took our seven year old Twins to see Phantom for a birthday treat at the beginning of August 2005, though my Wife and I had seen it four times previously. ___________________________________. I was so far away from the stage that I felt like I couldn't be further away from the action. It's much more mainstream, with clearly defined good guys and bad guys, and the good guys keep beating the bad guys. For the best experience, theres nothing like the centre of the stalls. It had me in tears and goosebumps in parts. November 2004 John Owen Jones was great as the Phantom and the music is still as great as ever. Also, for the record, Brian McCann is a 'swing'* in the programme - yes, but he is also listed as 'first cover'** for the Phantom, Scott Davies is the standby Phantom, i.e., the 'alternate. Thanks!! I sat in the GRAND CIRCLE in Row H seats 26 and 27. I am already planning another visit to the show, I know it won't happen, but hope the phantom gets the girl next time! Form beginning to the final curtain this production was excellent. She had the voice of a goddess. The Booker Prize-winning novel-now a major motion picture from Fox SearchlightPictures. proof that an orchestra and Europop are hardly mutually exclusive. her voice went so high and I really liked her portrayal of the role, she didn't act too much like a scared young girl. Nobody accuses "Madam Butterfly" or "Carmen" of being out of date because their musical styles are obsolete. _____________________, Thought I'd drop you a line with regard to my most recent trip to London to finally catch "Phantom," a show that I've wanted to witness for a long time but not enough to fork out for the always-top price and hard-to-get-without-booking-early seats! And that we could "have a look around" for any empty seats and change .Given the show was about to begin this wasn't't very useful to us. The gentleman that previously wrote in the defence of Raoul lacking charisma is so correct in what he says, yes this is how Raoul is supposed to beI think that those who slate POTO have no appreciation for this form of entertainment which is absolutely fine as we all have different tastes but hey just admit that its not for you, there's no need to rip it apart.take note Theatre All the principles were on, which was great for me. NOTE: Seat numbers and all Legacy reader reviews belowrefer to the production before it reopened in 2021. This was a relatively new cast and I think they needed a bit more bedding in as, although they were good, I had seen better Phantom casts (and worse, to be fair). A "Must-See" indeed. The storyline is cringing to say the least, but romantic in the smallest sense, and the image that is associated with Phantom is one of love. Please.) This one runs and runs. He was by far an amazing singer and actor. Rachel Barrell is the best Christine I have ever seen, it was such a relief to see a real actress/singer after the horrors of Emi Rosum in the movie. Judy Harrison. That said, it did take some time for me to get to "know" the central characters - so to speak - but we were in the Upper Circle and I think you always get wrapped-up in things a lot quicker when sat down in the Stalls. A hideously deformed musician enjoys chasing a talented young lady singer around the stage. The first volume of Mein Kampf was written while the author was imprisoned in a Bavarian fortress. I was very annoyed that the whole thing was played to the Stalls, because not everyone can afford 50 a ticket. Very enjoyable, polished 5 star performance. Now getting excellent shows to the area coming further north than Edinburgh or Glasgow. ________________________, May 2011. Even when I've heard Ramin when he's sick he still manages to produce a heart felt Phantom. The set and special effects are also amazing. I thoroughly enjoyed the show and the music was played beautifully. Front row, very close to the orchestra pit so not much legroom at all. I sat in G2 and realised that the seat looked new and had obviously been refurbished. Both of these are true and valid points. This review is the subjective opinion of a Tripadvisor member and not of Tripadvisor LLC. Enjoy! The Merlyns worst seats are really not that bad, and certainly shouldnt put you off if theyre the last ones left. I could see all the stage perfectly clearly without leaning forward at all (and I'm only average height - 5ft8"). The head of the man in front of me obscured my view slightly and my partner (who is 6'4") found that the legroom was not sufficient for him and he was a bit uncomfortable and had to keep shifting in his seat. In fact we were so impressed we went to the Stage Door (and missed our train, but it was worth it). The legroom in E12 and E13 is very poor indeed and I would not sit in the Upper Circle again - although the view was acceptable, it wasn't brilliant (although you do get up close and personal with the Phantom when he's up to mischief way above the stage). Saw the show for the first time on Monday 10th July 2006, absolutely loved it! Restricted View Seats Often, the view isnt as bad as it sounds like on paper, and so buying these seats are very much worth it. She is superb. Christian Ball, His voice is superb and he really made the show. He doesn't just over sing every thing. Very restricted view View 1/5 Comfort 4/5 Legroom 4/5 I wanted to watch the play so bad, I took a chance on the seat. But it usually works as a traditional two-tiered bank of seats with a narrow causeway separating the sections. Political Philosophy Pierre Joseph Proudhon: One cannot give and keep at the same time Chapter 2: Start She was also excited by the falling chandelier and ducked as it passed over, but I would prefer to be further away. Theatremonkey braces itself for the backlash when it admits it found this show utterly, utterly lame. __________________________________. Have a look at the view. However, very disappointed with Theatre Tickets Direct. CHAPTER V. Conclusion of the Greek Drama. Whoever directs this show deserves to swing from the iconic chandelier for effectively muzzling the eponymous star of the show. This show is simply amazing; the cast do a great job carrying the heavy story and musical score. Quite simply it was the cast. He was physically imposing, powerful, menacing and sensitive. The citys grandest opera house, the State may not have the period charms of the Princess or the Regent, but it makes up for it with superb acoustics and a clever layout. There is no differentiation between sections of this theatre, so the seating bank is more akin to something youd see in a lecture hall. We'll probably revisit next year if the kids demand!! During the first performance I saw Sofia Escobar in the role of Christine Daa and she was truly outstanding, with the most beautiful voice. Birmingham UK Dave Lorenz. I prefer the old staging, and the older orchestration. I was right behind the conductor, but as is written elsewhere on this site, he isn't very tall and from where I was seated wasn't much of a problem. I am 5 foot 1 inch and was wearing 3 inch heels. I'm 5 foot 10 and my knees were several inches away from the start of the orchestra wall so that certainly wasn't an issue. However stay clear of cheap side seats! I was also impressed with the leg room, I'm 6 foot and it was ample. Visitor reviews Marco Cant wait to go and see it again! 2008: Just for the record, in early 2008 the monkey finally watched the screen version of this show and actually preferred it to the stage one sure, the lyric is still crass in places, but the revised script and actual cinematography made it like the show a whole lot more than in the theatre! You have been warned!!! Being so close has some advantages. ___________________, I thought I was the only theatregoer to have been disappointed by 'Phantom' at Her Majesty's but thankfully I have now realised that I am not alone. One thing we both noticed was that both seats were set quite high off the ground. Millions of people can't be wrong! It gave the whole performance a strident edge that I did not enjoy. Although, perhaps not the strongest Phantom vocally, Scott provided his audience with a performance that was powerful and innovative. Gina Beck is a brilliant actress as is Simon Bailey and of course the much loved Ramin. I first saw this magnificent production in December 2004 and in May 2006 will be seeing it again for the 4th time. The rest of the cast were as usual fantastic. Why do actors have seats at the front of the stage? She was fabulously camp and over the top, as any good diva should be. Despite some of the performances not being so good, and it starting to look a bit tired, 'The Phantom of the Opera' is still a great spectacle and a thrilling piece of theatre. However I decided I would give him the benefit of the doubt. I have seen a number of West End musicals and I have to say that not one of them has even come close to the sheer brilliance of Phantom. ___________________________. So if anything is happening higher up the stage you cannot see it. It was rather sad to see a show I love being massacred. The cast were fantastic and the show certainly lived up to our expectations, so much so that we may go back again this Christmas for my birthday! I enjoyed this performance much more than two weeks ago (above) when I was seated almost right at the front in row C seat 11. I assume she is an understudy or cover, and she was fantastic both in her voice and acting; there was a real connection on stage between her and the Phantom, Geronimo Rauch. Ramin is different every time. Get quick answers from Her Majesty's Theatre staff and past visitors. The seats were amazing and I was so close to the action, I did not have a problem with legroom or cricked necks. We agree with your view that the show is 'lame', although I personally enjoyed it having embraced that fact. The view from M is spot on otherwise the right distance and very central from 17/18. She was very impressive and did the musical justice - easily bettering Sarah Brightman for anyone who listens to the original CD. This meant that most of the auction scene at the beginning was ruined and that is quite important in setting the scene and building atmosphere. Yet he does bring an element of Opera to the role too. Really great seats for a total bargain, there were a couple of moments we couldn't see brilliantly due to dry ice and the action being directly above us but nothing to quibble about and they were fleeting. Ciara Hemming. We paid 40 + booking fee for Seats B27 and 28 in the Grand Circle, and whilst I'd never usually choose seats this high-up, I'd read on good authority (i.e. me and my partner came to see phantom for the first time the show itself was amazing the cast and crew were fantastic, we had one usher who was extremely rude and was really raising his voice to shout out orders, we had tickets in the balcony and are honestly the most uncomfortable theatre seats I have sat in I could not move my legs at all and had to move around a lot much to the dismay of the people in front of us. Micke & Marita, Ume, Sweden. The scene with the gondola, the dry ice and the candles was breathtaking and seamlessly done. Staff were friendly and helpful and the overall ambience was an enjoyable experience.The show was fantastic! Bang in the middle of the row; theres only one row in front and seats are suitable staggered so youre looking between heads; no neck strain as the stage isnt particularly high; seats and legroom are comfy enough. This utterly detracted from the action unfolding in front of us as we were unable to focus or immerse ourselves in the performance due to the distraction of our pain. You won't see me at those kind of things. Slightly perplexed, I informed her of the conversation had the day previously with a See box office member of staff, she hinted that this keeps happening and See continually give out wrong information, and that I should make a formal complaint to them about what had happened. Unfortunately, I enjoyed it a little less this year. Also, I have to say I was quite disappointed that Front of House, while keen to prevent any photos being taken before the show and during the interval, were not so keen to enforce this rule DURING the show - two people on the row in front of us kept taking photos, even using a flash at one point! Purchased tickets for here for a show in July. I was responsible for buying the tickets hence I had checked reviews of the seats using TheatreMonkey, which I found was very useful. _____________________________________, We went to the matinee performance of 'Phantom of the Opera' on 23rd January 2014. For the first performance I sat in a premium-priced seat in the stalls and for the second right on the front row, (I decided on this because I had the misfortune lately to end up behind some pretty tall people when sitting further back, which can somewhat ruin the enjoyment even in top-priced seats!). The whole show is hidden behind a huge chandelier, and some very talented singers. Legroom is a bit tight in these seats but it didn't detract from my enjoyment. The latecomers were held back our side, and then began lots of standing by Ushers in the middle of the aisle waiting to place the theatregoers. We all thoroughly enjoyed the show andwhen the crowds had dispersed the staff bought out our wheelchair and had a good old natter with nanny asking herwhat she thought of the performance. Map updates are paused. So it is no surprise to me he has gone from strength to strength in his career, and the role of Phantom is surely one of the most demanding on any singer. "After deciding it was finally time to see The Phantom of the Opera, I didn't want to pay too much for something I wasn't sure I would enjoy. Plenty of leg room, being in the walkway. Yes, it looks great and familiar tunes always make for an easier evening out, but why does all the emotion have to be so overblown? I really dont waste much energy crying over spilt milk. Best seats are EE 29 and 30. I don't think we missed a thing. Performance schedule. Not the best start to Phantom really and I was quite cross. I couldn't have been more wrong, from the very beginning I was hooked and when the chandelier swings into the audience with the spine chilling music the hairs stood up on the back of my neck. Paige Blankson will be the alternate Christine Daa, playing the role at certain performances. I have collected, vinyl - CD - DVD and finally, as a 60th Birthday treat with my family, I sat in awe and watched the show. They can hold the audience within the compass of their eyes. Superb show straight from London's West End. The thundering Overture sets the show off into a great whirlwind of excitement, and the show lives up to all of the hype associated with it. I asked at box office at 14.15hrs. ), after reading a few reviews about 'Raoul' being a bit drippy in a few performances I was expecting to hate whoever played him but was more than pleasantly surprised when Simon Bailey appeared. This went on with door banging by ushers for about 30 minutes whilst we sat waiting in edgy anticipation that everyone would get seated successfully - Phew is was a relief when they were. The rest of the cast were very good, and it was a great evening. ____________________________, I was disappointed when I found out the main actor would not be playing the phantom. Stalls B12 is front row and marked as 'sightline restricted,' and is to the left of the conductor but not directly behind him. This is the third time I've seen POTO, and each time the ending keeps the relentless pace, and the huge contrast of feelings - sensational! Having read a previous reviewer mention the rather cool air-conditioning I came equipped with a warm cardigan - I should have left it at home, I was so warm and didn't feel any kind of cool air in the theatre at all - I left the theatre rather red-faced with the heat. Thankfully British queue etiquette prevailed and we were allowed in first. Though properly portrayed as the era of 'Protestant Ascendancy' it embraces two phases - the eighteenth century when that ascendancy was at its peak; and the nineteenth century when the Protestant elite sustained a determined rearguard defence in the face of the . There is nothing wrong with the first few rows of the stalls, but the dress is the place to be. I'm glad I saw the show, just so I could see what the fuss was all about, but it does confuse me as to why it's so popular. We would have preferred to think of him walking round in swirling mist in his black suit, and living in the theatre!!! I could see every feature of the phantom's deformity, saw all the fine detail, and felt that the singers were singing just for me, they tended to stand just in front of these seats to sing the big pieces. It was an okay experience, but I wouldn't go back, or recommend it. (is that a word?!) Final comment, absolutely brilliant show, would thoroughly recommend it, want to go again, and again, and again. The monkey advises checking performance times on your tickets and that performances are happening as scheduled, before travelling. The stalls have an intimate seating arrangement with each row having a maximum of 35 seats. My only word of caution would be take a light jacket, the air conditioning is too good!!. ____________________. We simply want to catch JOJ as Phantom before the imminent arrival of our baby, as we will be unable to do much theatre afterwards.) I am now hooked and want to go and see it again. Went to the stage door. How much is it to Hi, What time does the Wednesday Matinee start for Kinky Boots please? Eternally touching, a glorious (although occasionally dated) show, with a huge scale of emotions packed in. On taking our seats we could not help but notice how impressive the set looked even pre-show. __________________________________. and long legs although some shifting was required occasionally. The material has been carefully compared I had possibly the worst seats in the house, due to late booking. She had fallen asleep after the first act. Willenhall. London Beth Our newsletter hand-delivers the best bits to your inbox. Get your tickets soon (although I think as it's been on so long, it won't be ending anytime soon and I can see why). Very large indeed, it can feel a little cavernous, so its better to sit as close to the stage as possible. 855-315-0431 Concerts Bad Bunny Billie Eilish Bon Jovi Coldplay Dua Lipa Elton John 18th November 2011, 7:30pm John did not let the audience down once - he is faultless, and I feel so lucky to have seen him play the part. The actor who played the Phantom could not be faulted. Great views and right in the middle of the seating so good overall view and sound. I had no interest in opera, only knew one song and only knew the story in brief (and the Phantom was the only character I remembered) before I went to see it. The above two comments drew this reply from previous reviewer Will Cooper: I'd just like to counter some of your most recent and scathing phantom reviews. A feature of the performance I'd never really been forced to consider before in the theatre was the amplification of the singers. Over all, an excellent afternoon's entertainment, especially as we had only paid 33.00 for our seats as part of a group discount." McCanns masterpiece provides the perfect Phantom In spite of its size, the Olivier has a concentrated intimacy. The music was fantastic, and the singing was mind blowing. I was beginning to change my opinion of him. ___________________________, To all concerned with the production and performance of this show. We had seats D22 and D23 in the stalls, tickets bought via the annual 'Get into London Theatre' offer. Exactly what you want from a West End show - drama, excitement and a good old dose of gothicness! ____________________. After seeing John Owen Jones twice, and Scott Davies once, I thought Earl Carpenter did a pretty good job - though vocally John Owen Jones was better. I LOVED IT!!! McCanns Phantom is sensual, poignant and powerful, beautifully vulnerable, played and sung with aplomb. Stalls B18 and B19: basically the perfect seats, and quite reasonably priced when on sale. It started as soon as I entered the theatre; it was a lovely, grand and majestic theatre - it made you feel like you were in the Paris Opera House. However, the only part of the stage missing is the very bottom left, which includes the drawing room door. the theatre, the sets, the costumes, the effects, it was absolutely amazing from beginning to end. ____________________________. The score was unimaginative and bland, the sets looked dated and the 'special effects' were clunky and distracting. Angie Christie (Mrs) "Stalls E33 and 34 (34 being an aisle seat): Great seats with nothing in front, so unlimited leg room. I'm thinking much of the audience were foreign tourists dutifully making their way round the London tourist trail. Our seats were Royal Circle B34-35 right on the outside of the row, clearly without full view of the stage as stated in some correspondence. Nadia Ansari I went to see this on Monday 5th January 2009, my first visit. How wrong we were! Unfortunately, the conductor was in the way for some of the time and when the dry ice with the boat scene happened, we could not see anything as the dry ice completely cut off our view - and it became very cold for a while. The only gripe is I had to move from side to side to see the centre of the stage, due to a tall gentleman sitting directly in front of me, but this must have applied to those sitting behind me due to my height. I felt like a little kid even though I am 56 years old!! We've booked again.totally hooked!!! But towards the end of Act 1, in the 'All I Ask Of You' reprise he seemed to lose his way. I know this is musical theatre and that perhaps it requires more suspension of disbelief than other theatre, but in this case the only thing that could have suspended my disbelief was if you sentenced it to life. His Majesty's Theatre. But he has some much power and dynamics. 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