Saturday morning cartoons were always short on educational opportunities for children, but ABC decided to do a public good by producing “Schoolhouse Rock!,” a series of three-minute animated interstitials that proved to be surprisingly sticky mnemonic devices.

There’s plenty of Lynchian eccentricity and style, however, to his heartfelt slice of Americana, and a genuine conviction in the decency that evil-doers in his other films often work to snuff out.

The seventh and final season, produced for Disney Plus, builds up to the Siege of Mandalore. Manohla Dargis admired how the film “humanizes” Thor, but still thinks “

Scott, “ Much like her groundbreaking visual album “Lemonade,” “Black Is King” is an arresting smorgasbord of music, fashion, choreography and eye-popping color, with the writer-director-performer serving as the ringmaster for other visual artists and musicians. If he and his family were humans, they could exist comfortably in the world of Anderson’s “The Royal Tenenbaums.” A.O. He was Carl Barks, not Banks.The comments section is closed. A princess’s beauty, a queen’s vanity, a magic mirror, a poisoned apple and a cottage full of diminutive miners are among the classic elements plucked from the Grimm Brothers' fairy tale.

She is also humbled by the more typical headaches of being an adolescent. The remaining X-Men movies still waiting for a Disney Plus release are X2, X-Men: The Last Stand, X-Men Origins: Wolverine, X-Men: First Class and last year's flop Dark Phoenix. The Big Bang event that started the Marvel Cinematic Universe, “Iron Man” established the template for more than 20 superhero movies and counting.

Yet it’s just as elegant when Princess Aurora, cursed to eternal slumber by the vengeful Maleficent, dances to “Once Upon a Dream” against a lovely forest backdrop.

Poor Kris Kringle (Edmund Gwenn) gets dragged through an insane asylum and a courtroom and rebukes the impact of commercialism on Christmas. Andrews plays another maternal-figure-for-hire, a struggling nun who leaves the convent when a widower (Christopher Plummer) asks her to look after his seven children. “Miracle on 34th Street,” which turns on the heartwarming revelation that a department store Santa is the real thing, has become a classic Christmas movie — though the promotion for its release in the summer of 1947 never mentioned the holiday. The film doesn’t drop off much, either, when the robot befriends a sleeker android sent to the planet to search for signs of life — and perhaps hope for surviving humans to return home. One final Fox X-Men movie, The New Mutants, is due for release on August 28.Sign up to get breaking news, reviews, opinion, analysis and more, plus the hottest tech deals!Thank you for signing up to TechRadar.
Our critic encouraged readers to see it on a large screen to appreciate its “ Stan runs a beaten-down tourist trap called the “Mystery Shack,” which becomes the nexus of supernatural happenings.



But after that notorious moment, “Bambi” is watercolor poetry, following the fawn as he learns and grows alongside his woodland friends and eventually becomes a father himself.

By taking the time to detail the day-to-day struggles of a desperately poor family, Nair adds power to the girl’s efforts to maneuver around the board. Memorable songs like “My Favorite Things,” “Do-Re-Mi” and the title number help her do it.

The goofy 1977 musical comedy turns into a sincere drama about an orphaned wild child (Oakes Fegley) who befriends a big green dragon in the Pacific Northwest.
The technical and artistic contributions are first-rate all around, none greater than the songs by Howard Ashman and Alan Menken, which include “Be Our Guest” and the title number. The movie bombed on initial release, but our critic praised it as Walt Disney’s “ “ With the future in peril, Wolverine (Hugh Jackman) is sent back to 1973 to stop events that will lead to the extinction of man and mutant alike. Set between the events of “Episode II: Attack of the Clones” and “Episode III: Revenge of the Sith,” the show has filled in gaps in the mythology, turned bounty hunters and clones into real characters and added substance to the relationship between Anakin Skywalker and Padmé Amidala.

Wes Anderson’s first foray into animation applies the visual precision, melancholy and wit of his live-action features to a Roald Dahl novel about a sophisticated fox (voiced by George Clooney) who nonetheless taps his primitive nature to raid the poultry farms of Boggis, Bunce and Bean. Disney live-action films don’t exactly have a tradition of gritty realism, but with “Queen of Katwe,” the director Mira Nair scrapes some of the gloss off the rousing true story of a Ugandan girl whose prodigious gifts as a chess player allow her to see the world beyond a Kampala slum. Fans of the original “Star Wars” trilogy scoffed at the prequels, but for a generation of children, the prequels were their own obsession, and the animated series “Star Wars: The Clone Wars” has deepened the experience. The concept for this witty animated series is a James Bond twist on “Buffy the Vampire Slayer”: What if a teenage girl devoted her unique physical gifts toward fighting evil while also dealing with the pressures of high school? Taika Waititi’s “Thor: Ragnarok” offers just that, exploiting its hero’s good humor to maximum effect while offering a vamped-up Cate Blanchett as an all-powerful villain who plots to destroy his home planet, Asgard.

The most recent film, 2019's Dark Phoenix, is …